Introduction
 If you've read the book Fifth Business / you know  that it begins 
 With an ill thrown snowball bringing on / a  multitude of sins 
 This ode's no less ambitious / a snowball rashly  hurled 
 And hanging in the balance / the future of the world 
Part One 
 Put yourself in England / in 1959 
 Where food itself is punishment / and it drizzles  all the time 
 Imagine your narrator / short pants and Prince  Charles ears 
 The school's been told it's snowing / the largest  storm in years 
 A snowball war's a certainty / and hostilities break  out 
 So they tell us "spare civilians / or we'll  thrash you till you shout" 
 I've barely left the schoolyard / when a snowball  hits my chin 
 Thrown by Suzie Mulligan / with her noxious Suzie  grin 
 If you know her like I do / you'll respond the same  as me 
 Get her back and get her good / she can't get off  scot free 
 The rage wells up inside me / I form a shrapnel  shell 
 I pitch it back at Suzie / and yell out "rot in  hell" 
 But I've been out manoeuvred / she deftly steps  aside 
 And I hit some sweet old lady / right on her  backside 
 If I was more a gentleman / I'd rush up to her aid 
 Instead I act the six year old / and run away afraid 
 I don't know my victim / so I conjure up a name 
 I call her Mrs. Mabel smith / and wallow in my shame 
 She's persevered through two world wars / 
 through times both dark and dire 
 She's earned herself a quiet old age / not death by  friendly fire 
 By remarkable coincidence / I'm stricken sick in bed 
 My mother fusses while my fate / is spinning in my  head 
"Young thug turns on helpless gran" / the  rags will point at me 
"Bring back the strap don't spare the lash / see  sunshine girl page 3" 
 But no court martial waits at school / which isn't  such a shock 
 If Suzie dares to tattle tale /she'll join me in the  dock 
 But what will Mabel Smith do? / I fret both long and  hard 
 The papers, cops or parents? / she holds a few high  cards 
 But she chooses to play none of them / I live  another day 
 Will she just turn the other cheek?/ my instincts  cry "no way" 
 So my hunch is some years later / as she shuffles  off this coil 
 She tells St. Pete "theres someone / who still  makes my blood boil" 
 She recounts the Suzie incident / and he pulls his  cold case file 
 Checks with St. Nick and Interpol / and the rap  sheet's long and vile 
"Always takes the biggest slice / breaks his  brother's toys 
 Tries his hand at music / just produces excess  noise" 
My conclusion, though I wasn't there / is Mabel  Smith was told 
 "We'll make him pay and don't forget / revenge is  best served cold" 
 
Part Two
 Several uneventful years pass by / I keep my profile  low 
 Till my father tells the gang one day/ "to Canada  we'll go" 
 It takes some getting used to / the humidity and  heat 
 But winter's freeze and bright clear sun / have  dreary rainfall beat 
 I'll say this with a straight face / it's useless to  deny 
 My wife and I move willingly / to the land of  Colonel By 
 We love the miles of skiing trails / and endless  rinkless skates 
 The exotic dining places / The Place Next Door and  Nate's 
 But we start to notice winter change/ around the Y2K 
 You can't count on snow and cold / to give you  chance to play 
 The snow falls in your driveway / you shovel and  complain 
 Your neighbour waits - his flushed away / in the  next day's heavy rain 
 So you vow to act much smarter / check the  weatherman's advice 
 Wake up expecting melting / and confront a sheet of  ice 
 You give in and hire the specialists / it snows they  don't arrive 
 You're told "your contract's 5cm' /and we've had  just 4.5" 
Or you get a massive blizzard / the outcome's  just as bleak 
 "we're running at capacity / we'll get to you next  week 
 Real men don't wear ice creepers / I'm sure some wag  has said 
 But they also hate to slip and fall / And smash  their hips or head 
 There's no two ways about it / winter's turned to  hell 
 We must learn what's behind it / So my tale I'm  bound to tell 
 I'm sorry to confound you / Mr. Dion Mr. Baird 
 But there's an explanation/ for which you've not  prepared 
 It's really all quite personal / the Al Gore stuff's  a myth 
 God's made my winter miserable / to pay back Mabel  Smith 
 I never knew my snowball mulligan / ( I was just six  at the time) 
 Would send the earth careening / to calamitous  decline 
 So I implore you God and Mabel / (if I may be so  bold) 
 Forgive me all my youthful sins / and bring back our  winter cold.
Conclusion 
 So we await the outcome / what will she decide? 
 And if she grants forgiveness / will it turn the  tide? 
 If she does but still the elements / wreak their  merry mess 
 I'll have to ask - do some of you / have sins you  should confess? 
 And if we're all let off the hook / for every hurt  or slight 
 Things still get worse lets face it / Al Gore must  be right
Some readers seem intent on nullifying the authority of David Simmonds. The critics are so intense; Simmonds is cast as more scoundrel than scamp. He is, in fact, a Canadian writer of much wit and wisdom. Simmonds writes strong prose, not infrequently laced with savage humour. He dissects, in a cheeky way, what some think sacrosanct. His wit refuses to allow the absurdities of life to move along, nicely, without comment. What Simmonds writes frightens some readers. He doesn't court the ineffectual. Those he scares off are the same ones that will not understand his writing. Satire is not for sissies. The wit of David Simmonds skewers societal vanities, the self-important and their follies as well as the madness of tyrants. He never targets the outcasts or the marginalised; when he goes for a jugular, its blood is blue. David Simmonds, by nurture, is a lawyer. By nature, he is a perceptive writer, with a gimlet eye, a superb folk singer, lyricist and composer. He believes quirkiness is universal; this is his focus and the base of his creativity. "If my humour hurts," says Simmonds,"it's after the stiletto comes out." He's an urban satirist on par with Pete Hamill and Mike Barnacle; the late Jimmy Breslin and Mike Rokyo and, increasingly, Dorothy Parker. He writes from and often about the village of Wellington, Ontario. Simmonds also writes for the Wellington "Times," in Wellington, Ontario.
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